One of the things that I wanted to jump into the tv and correct on last night’s Can’t Read Can’t Write on Channel 4 was Phil Beadle’s approach to Linda’s struggle with b and d.
Letter and number reversal is something that tripped me up for years - I have evidence still in a scrapbook where, at the age of seven I wrote what looks like PIGG. In fact, it’s 1966.
I know it’s related to difficulties with spacial awareness; even today, telling left from right and reading a conventional clock require my full concentration. In October I felt compelled to tell to a prominent dyslexia specialist that it is of NO help whatsoever to tell someone like me that you can tell your left from your right by making a capital L with you thumb and forefinger; they BOTH look like plausible L’s to me. And just yesterday I amazed my husband by confessing that I don’t know the difference between a 3 and an E until I write them down. (He considers this to be a sign of genius, for which I’m grateful.)
So I fully empathise with Linda’s problem and her struggle to deal with letter shapes in the air.
So what can be done?
DON’T make a “bed” by curling your thumbs and forefingers into a b and a d and hope that this will solve everything.
This is by far the most popular suggestion for fixing b and d reversal. Imagine seeing a 17 year old doing this while he’s trying to fill out a government form. HE’S AN ADULT!! And anyways - someone with a brain like mine will only panic at having to deal with very similar shapes in the air.
DO make this about writing and muscle memory. Associate writing the letter correctly with saying the sound clearly. Demonstrate the following for your student.
Draw 5 x’s on an A4 drywipe board. x x x x x
Using the x as a starting place, make a strong line down saying “b” (the sound, not the letter name) as you make the movement, then follow through with the “ball” part of the letter b.
Do that five times in a row then let your student have a go. Make sure they say “b” (the sound, NOT the letter name) every time they write the downward line.
Clean the board and draw 5 more x’s.
This time, using the x as a starting place, make the circle saying “d” (the sound, not the letter name) as you make the movement, then follow through with the up and down line of the d.
Do that five times in a row then let your student have a go. Make sure they say “d” (the sound, NOT the letter name) every time they write the circle.
This is the best solution I’ve ever encountered and I’ve used it with success many times. I don’t know where it origninated but would be very happy to give credit to whoever thought it up. You may have to do this exercise at every lesson for a while but it eventually becomes automatic for both writing and reading.
I think the “b” is the most memorable and the “d” is remembered by elimination. I’ve seen a seriously struggling reader get to a word, quickly and surreptitiously move his forefinger down and read the work fluently. More grown up and less “special needs” than giant quasi-sign language.
Hi Tricia,
I use that technique too, but I have another one (which I found on a US site) which is also unobtrusively helpful. Anything rather than the dreadful ‘bed’thing!
It’s based on the mouth shapes made when articulating the phonemes. For /b/ the mouth starts closed, then opens, so when writing the letter it’s ’straght line first, then ’round’(this works for decoding too - see the straight line first, mouth makes a straight line first). It is reversed for /d/, where articulation starts with an open mouth (round). This works for p/q confusion too.
Love your site.
maizie